| 8.30 – 9.00am |
Registration and coffee (University Theatre Lounge) |
| 9.00 – 9.15am |
Welcome and introduction by Aafke Hulk, Dean of the Faculty of
the Humanities at the University of Amsterdam (University Theatre
Hall) |
| 9.15 – 10.00am |
Keynote address 1: David Osmond-Smith, Cathy
Berberian: Singer and score |
| 10.00 – 10.20am |
Screening film footage of Circles |
| 10.20 – 11.00am |
Coffee/Tea |
| 11.00 – 11.25am |
Listening to tape composition Visage - Luciano Berio, Cathy Berberian
(1961) |
| 11.25 – 12.25pm |
Paper session 1: Vocal production |
| |
Theda Weber-Lucks, Cathy
Berberian: A pioneer in vocal performance art |
| |
Mary E. Larew, Gender construction,
embodied cognition, and mimetic participation in music education |
| 12.25 – 2.00pm |
Lunch |
| 2.00 – 2.10pm |
Listening to tape composition Thema (Omaggio a Joyce) – Luciano
Berio, Cathy Berberian (1958) |
| 2.10 – 3.40pm |
Paper session 2: Issues of authorship |
| |
Hannah Bosma, Thema (Omaggio a Joyce):
A listening experience as homage to Cathy Berberian |
| |
Janet K. Halfyard, Text
and authority: Issues of gender and ownership in the work of Cathy
Berberian |
| |
Juliana Snapper, For a
Woman to Sing/To Build: Cathy Berberian’s
radical femininity |
| 3.40 – 4.00pm |
Tea/Coffee |
| 4.00 – 5.15pm |
Screening documentary Music
is the air I breathe: Cathy Berberian (1925-1983) by Carrie de Swaan (1994) |
| 5.30 – 7.30pm |
Diner |
| 8.00 – 11.15pm |
VocaLectures: read
more |